Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Ivan Aivazovsky
Frozen Bosphorus Under Snow

ID: 83782

Ivan Aivazovsky Frozen Bosphorus Under Snow
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Ivan Aivazovsky Frozen Bosphorus Under Snow


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Ivan Aivazovsky

July 29, 1817 C May 5, 1900) was a Russian painter of Armenian descent, most famous for his seascapes, which constitute more than half of his paintings.Aivazovsky was born in the town of Feodosiya, Crimea, to a poor Armenian family. His parents family name was Aivazian. Some of artist's paintings bear a signature, in Armenian letters, "Hovhannes Aivazian" (Յովհաննէս Այվազեան). His talent as an artist earned him sponsorship and entry to the Simferopol gymnasium ??1 and later the St.Petersburg Academy of Arts, from which he graduated with the gold medal. Earning awards for his early landscapes and seascapes, he went on to paint a series of portraits of Crimean coastal towns before traveling throughout Europe. In later life, his paintings of naval scenes earned him a longstanding commission from the Russian Navy. In 1845, Aivazovsky went to Istanbul upon the invitation of Sultan Abdelmecid, a city he was to travel to eight times between 1845-1890.   Related Paintings of Ivan Aivazovsky :. | The Island of Rhodes | A Rocky Coastal Landscape in the Aegean with Ships in the Distance | Mountain Village Gunib in Daghestan. | The Russian Squadron on the Sebastopol Roads | Storm |
Related Artists:
Anna Nordgren
painted Farmer Woman At The Beach in 1880
Giuseppe Vermiglio
Giuseppe Vermiglio (c.1585 - c.1635) was a Caravaggist painter from Northern Italy, active also in Rome. Our knowledge of Vermiglioes life is sketchy. It is probable that he was born in Alessandria. He spent the first two decades of the seventeenth century in Rome where, while training and working as an artist, he adopted a bohemian lifestyle with a tendency to become involved in painterly brawling: in 1604 he supported his master Adriano di Monteleonees account of a dispute with two unknown artists which had led to Monteleone being wounded by his own wife; the following year Vermiglio was arrested and imprisoned after being discovered at the Monte di Brianza hostellry bearing an unlicensed sword; and in 1611 proceedings were brought against him for physically attacking the painter Silvio Oliviero. In 1618, still in Rome, he is recorded as a picture dealer. Around 1620 he returned to northern Italy where he pursued his career as a painter in Piedmont (Novara and Alessandria) and in Lombardy (notably in Mantua and Milan). His art was profoundly influenced by Caravaggio. Other painters to whom his work is thought, on the basis of stylistic references, to be indebted include the Bolognese Annibale Carracci and Guido Reni; it has been suggested that Vermiglio worked or studied in Bologna at some point. Luigi Lanzi acclaimed the painting of Daniel among the lions, in the library of the Passione in Milan, as his masterwork. Judgments of quality of his work have ranged from Alfred Moires inconsequential craftsmane to Lanzies the best painter in oils of which the ancient state of Piedmont could boast, and one of the best Italian artists of his times.
george grosz
george grosz(1893 to 1959),German painter, draughtsman and illustrator. He is particularly valued for his caustic caricatures, in which he used the reed pen with notable success. Although his paintings are not quite as significant as his graphic art, a number of them are, nonetheless, major works. He grew up in the provincial town of Stolp, Pomerania (now Slupsk, Poland), where he attended the Oberrealschule, until he was expelled for disobedience. From 1909 to 1911 he attended the Akademie der K?nste in Dresden, where he met Kurt G?nther, Bernhard Kretschmar (1889-1972) and Franz Lenk (b 1898). Under his teacher Richard M?ller (1874-1954), Grosz painted and drew from plaster casts. At this time he was unaware of such avant-garde movements as Die Br?cke, also active in Dresden. In 1912 he studied with Emil Orlik at the Kunstgewerbeschule in Berlin. A year later he moved to the Acad?mie Colarossi in Paris, where he learnt a free drawing style that swiftly reached the essence of a motif.






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